{"id":5790,"date":"2026-03-23T12:50:12","date_gmt":"2026-03-23T12:50:12","guid":{"rendered":"https:\/\/dewabp.com\/?post_type=tribe_events&p=5790"},"modified":"2026-03-23T14:19:47","modified_gmt":"2026-03-23T14:19:47","slug":"mahsuni-serif-in-2002-olum-gunu","status":"publish","type":"tribe_events","link":"https:\/\/dewabp.com\/de\/takvim\/mahsuni-serif-in-2002-olum-gunu\/","title":{"rendered":"Mahsuni \u015eerif’in \u00f6l\u00fcm g\u00fcn\u00fc (2002)"},"content":{"rendered":"
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\u015eerif Mahzuni , (17 Kas\u0131m 1939, Ber\u00e7enek, Af\u015fin Kahramanmara\u015f – \u2020 17 May\u0131s 2002, K\u00f6ln)<\/figcaption><\/figure>\n

A\u015f\u0131k Mahzuni \u015eerif<\/b> (as\u0131l ad\u0131yla \u015eerif C\u0131r\u0131k), 20. y\u00fczy\u0131l halk edebiyat\u0131n\u0131n en g\u00fcr sesli ozanlar\u0131ndan biri, toplumsal adaletsizli\u011fe kar\u015f\u0131 duru\u015fuyla simgele\u015fmi\u015f bir “halk\u0131n sanat\u00e7\u0131s\u0131”d\u0131r. 1940 y\u0131l\u0131nda Kahramanmara\u015f\u2019\u0131n Af\u015fin il\u00e7esinde do\u011fmu\u015f, 2002 y\u0131l\u0131nda vefat etmi\u015ftir.<\/p>\n

Onu modern \u00e7a\u011f\u0131n en b\u00fcy\u00fck ozanlar\u0131ndan biri yapan temel \u00f6zellikleri \u015funlard\u0131r:<\/p>\n

1. Muhalif ve Toplumcu Kimli\u011fi<\/h5>\n

Mahzuni \u015eerif, geleneksel \u00e2\u015f\u0131kl\u0131k gelene\u011fini (do\u011fa, a\u015fk, inan\u00e7) al\u0131p onu sert bir toplumsal ele\u015ftiri<\/b> ve siyaset felsefesiyle<\/b> birle\u015ftirmi\u015ftir. Yoksulluk, yolsuzluk ve haks\u0131zl\u0131k kar\u015f\u0131s\u0131nda kalemini ve saz\u0131n\u0131 bir silah gibi kullanm\u0131\u015f; bu u\u011furda hapis yatm\u0131\u015f, konserleri yasaklanm\u0131\u015f ancak geri ad\u0131m atmam\u0131\u015ft\u0131r.<\/p>\n

2. Eserlerindeki Evrensel Derinlik<\/h5>\n

450\u2019den fazla pla\u011f\u0131, 50\u2019den fazla kaseti ve binlerce \u015fiiri bulunan ozan\u0131n en bilinen eserleri, bug\u00fcn bile her ku\u015faktan insan taraf\u0131ndan ezbere bilinir:<\/p>\n

    \n
  • “Dom Dom Kur\u015funu”<\/b>: Toplumsal yozla\u015fmaya ve zulme bir ba\u015fkald\u0131r\u0131d\u0131r.<\/li>\n
  • “Yuh Yuh”<\/b>: Yolsuzluk yapanlara, halk\u0131 s\u00f6m\u00fcrenlere kar\u015f\u0131 yaz\u0131lm\u0131\u015f bir yergi \u015faheseridir.<\/li>\n
  • “\u0130\u015fte Gidiyorum \u00c7e\u015fm-i Siyah\u0131m”<\/b>: T\u00fcrk halk m\u00fczi\u011finin en derin ve dokunakl\u0131 vedalar\u0131ndan biri kabul edilir.<\/li>\n
  • “Sar\u0131 Sa\u00e7l\u0131m Mavi G\u00f6zl\u00fcm”<\/b>: Mustafa Kemal Atat\u00fcrk\u2019e duyulan \u00f6zlemi dile getiren en g\u00fc\u00e7l\u00fc eserlerden biridir.<\/li>\n<\/ul>\n
    3. “Modern Zamanlar\u0131n Pir Sultan’\u0131”<\/h5>\n

    M\u00fczik otoriteleri ve halk, onu s\u00f6z\u00fcn\u00fc sak\u0131nmayan tavr\u0131 nedeniyle “Yirminci Y\u00fczy\u0131l\u0131n Pir Sultan Abdal’\u0131”<\/b> olarak nitelendirir. Sadece ba\u011flama \u00e7almakla kalmam\u0131\u015f, halk\u0131n dertlerini radyo ve televizyonun olmad\u0131\u011f\u0131 d\u00f6nemlerde k\u00f6y k\u00f6y gezerek dile getirmi\u015ftir.<\/p>\n

    4. M\u00fczi\u011fe Teknik Katk\u0131s\u0131<\/h5>\n

    Ba\u011flama icras\u0131nda kendine has, “tok” ve sert bir vuru\u015f tekni\u011fi (m\u0131zrap tavr\u0131) geli\u015ftirmi\u015ftir. Sesi, Anadolu\u2019nun yan\u0131k ve isyankar ruhunu yans\u0131t\u0131r. Eserleri sadece halk m\u00fczi\u011fi sanat\u00e7\u0131lar\u0131 taraf\u0131ndan de\u011fil, Selda Ba\u011fcan’dan Mo\u011follar’a, Edip Akbayram’dan rock gruplar\u0131na kadar \u00e7ok geni\u015f bir yelpazede yeniden yorumlanm\u0131\u015ft\u0131r.<\/p>\n

    \n

    A\u015f\u0131k Mahzuni \u015eerif<\/b>‘in hem ya\u015fam\u0131 hem de eserleri, Anadolu’nun toplumsal haf\u0131zas\u0131na kaz\u0131nm\u0131\u015f birer hik\u00e2yedir.<\/p>\n

    1. “Yuh Yuh” T\u00fcrk\u00fcs\u00fcn\u00fcn Hik\u00e2yesi ve Ruhu<\/h5>\n

    Mahzuni \u015eerif, bu eseri sadece bir “t\u00fcrk\u00fc” olsun diye de\u011fil, toplumsal bir manifesto<\/b> olarak yazm\u0131\u015ft\u0131r.<\/p>\n

      \n
    • Yolsuzlu\u011fa Ba\u015fkald\u0131r\u0131:<\/b> 1970’li y\u0131llar\u0131n siyasi ve ekonomik \u00e7alkant\u0131lar\u0131 i\u00e7inde; halk\u0131n eme\u011fini s\u00f6m\u00fcrenlere, r\u00fc\u015fvet\u00e7ilere ve ikiy\u00fczl\u00fc siyaset\u00e7ilere kar\u015f\u0131 duydu\u011fu \u00f6fkeyi dile getirir.<\/li>\n
    • Mizahi Ele\u015ftiri:<\/b> \u015eark\u0131daki “G\u00f6z\u00fc k\u00f6r olmayas\u0131ca \/ G\u00f6nl\u00fc \u015fad olmayas\u0131ca”<\/i> gibi ifadelerle, Anadolu’nun o kendine has yergi (ta\u015flama) k\u00fclt\u00fcr\u00fcn\u00fc en sert ve en zekice haliyle kullanm\u0131\u015ft\u0131r.<\/li>\n
    • Evrenselli\u011fi:<\/b> Bug\u00fcn bile herhangi bir haks\u0131zl\u0131k kar\u015f\u0131s\u0131nda ilk akla gelen eserlerden biri olmas\u0131, Mahzuni’nin halk\u0131n ortak vicdan\u0131na ne kadar dokundu\u011funun bir kan\u0131t\u0131d\u0131r.<\/li>\n<\/ul>\n
      2. Hac\u0131bekta\u015f\u2019a Defnedilme \u0130radesi<\/h5>\n

      Mahzuni \u015eerif, 17 May\u0131s 2002’de Almanya’da vefat etti\u011finde, vasiyeti \u00fczerine Nev\u015fehir’in Hac\u0131bekta\u015f<\/b> il\u00e7esine defnedilmi\u015ftir.<\/p>\n

        \n
      • Neden Hac\u0131bekta\u015f?<\/b> Hac\u0131 Bekta\u015f-\u0131 Veli, onun felsefesinin, inanc\u0131n\u0131n ve beslendi\u011fi damar\u0131n kayna\u011f\u0131d\u0131r. Mezar\u0131, Hac\u0131 Bekta\u015f-\u0131 Veli T\u00fcrbesi\u2019nin yak\u0131n\u0131ndaki “\u00c7ilehane” b\u00f6lgesindedir.<\/li>\n
      • Kom\u015fusu \u0130lhan Sel\u00e7uk:<\/b> \u0130lgin\u00e7 bir bilgi olarak; T\u00fcrk bas\u0131n\u0131n\u0131n usta kalemi \u0130lhan Sel\u00e7uk<\/b> da vefat etti\u011finde, vasiyeti \u00fczerine Hac\u0131bekta\u015f’ta Mahzuni \u015eerif’in mezar\u0131n\u0131n hemen yan\u0131na defnedilmi\u015ftir. Bu iki isim yan yana, Anadolu ayd\u0131nlanmas\u0131n\u0131n ve halk\u0131n sesinin s\u00f6nmeyen birer sembol\u00fc olarak yatmaktad\u0131r.<\/li>\n<\/ul>\n
        3. “\u0130\u015fte Gidiyorum \u00c7e\u015fm-i Siyah\u0131m” \u00dczerine Bir Not<\/h5>\n

        Bu eser de en az “Yuh Yuh” kadar me\u015fhurdur ancak bamba\u015fka bir duyguyu temsil eder. Mahzuni, bu deyi\u015fi asl\u0131nda e\u015fine hitaben, o zorlu hapis ve s\u00fcrg\u00fcn y\u0131llar\u0131n\u0131n verdi\u011fi h\u00fcz\u00fcnle kaleme alm\u0131\u015ft\u0131r. Modern m\u00fczi\u011fin her t\u00fcr\u00fcnde (Rock, Pop, Caz) en \u00e7ok yorumlanan t\u00fcrk\u00fclerin ba\u015f\u0131nda gelir.<\/p>\n

        \"\"<\/p>","protected":false},"excerpt":{"rendered":"

        A\u015f\u0131k Mahzuni \u015eerif (as\u0131l ad\u0131yla \u015eerif C\u0131r\u0131k), 20. y\u00fczy\u0131l halk edebiyat\u0131n\u0131n en g\u00fcr sesli ozanlar\u0131ndan biri, toplumsal adaletsizli\u011fe kar\u015f\u0131 duru\u015fuyla simgele\u015fmi\u015f bir “halk\u0131n sanat\u00e7\u0131s\u0131”d\u0131r. 1940 y\u0131l\u0131nda Kahramanmara\u015f\u2019\u0131n Af\u015fin il\u00e7esinde do\u011fmu\u015f, […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-5790","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tribe_events\/5790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/comments?post=5790"}],"version-history":[{"count":12,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tribe_events\/5790\/revisions"}],"predecessor-version":[{"id":5821,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tribe_events\/5790\/revisions\/5821"}],"wp:attachment":[{"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/media?parent=5790"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tags?post=5790"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/dewabp.com\/de\/wp-json\/wp\/v2\/tribe_events_cat?post=5790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}